Table of Contents

Contents: The Hammer and the Flute: Women, Power, and Spirit Possession Introduction Part 1: Re-Orienting Possession in Theory Chapter One: Signifying Possession Chapter Two: Re-Orienting Possession Chapter Three: Flutes, Hammers and Mounted Women Part II: The Work, War and Play of Possession Chapter Four: Work Chapter Five: War Chapter Six: Play(s) Conclusion Bibliography

Promotional Information

Mary Keller's theory of instrumental agency is very well developed, as is her extended critique of existing scholarship. Scholars in the fields of religion, anthropology, and gender studies who are interested in spirit possession will certainly want to read this book. I enjoyed reading The Hammer and the Flute, learned much from it, and believe that it makes an important contribution. -- Kathleen M. Erndl, Florida State University

About the Author

Mary Keller is an adjunct in the religious studies and African American studies programs at the University of Wyoming.

Reviews

[A] provocative exploration of possession theory... Keller is able to offer not only fresh insight into possession phenomena but also a penetrating critique of the categories and concepts with which it has been theorized. -- Kelly E. Hayes Journal of Religion Keller's argument for a revisioning of agency, women, and possession is important intervention. By bringing together an unusual mix of theorists and case studies, she makes a thoughtful contribution to the study of religion, gender, and post-colonial theory that raises provocative questions for all scholars of religion. -- Pamela E. Klassen History of Religions A welcome addition to scholarly literature on spirit possession. It provides an innovative exploration into the agency of women's possessed bodies and the way scholarly representations construct agency. -- Margaret J. Rausch Journal of the American Academy of Religion