Paul Johnson is a leading historian and journalist whose historical works have been national bestsellers and translated into many languages. Among his books are Modern Times, A History of the Jews, Intellectuals, The Birth of the Modern, and A History of the American People. He lives in London.
“This wee book packs more information, insight, and historical
perspective than do most volumes many times its length.”
—Forbes
“Abound[s] in interesting detail and idiosyncratic judgment.” —The
New York Times
“Mr. Johnson does not reduce the art and literature of this
immensely rich period to mere by-products of the European economy.
. . . His concise and entertaining survey is a reminder that the
most sublime accomplishments of civilization also depend on the
mundane.” —The Wall Street Journal
“[Johnson’s] reputation for capacious erudition precedes him, and
it is no surprise that he turns in a vibrant summary of the era’s
eruption of art.” —Booklist
This slim volume is among the first in a new series, the Modern Library Chronicles, described by the publisher as "authoritative, lively, and accessible." Noted historian Johnson's (A History of the American People, etc.) book satisfies on the latter two countsÄit provides a serviceable introduction for the general readerÄhowever, on the first count it falls short. Johnson offers an unimaginative and superficial history, with insidious signs of haste, like the claim that Charles V created El Escorial. Few will be surprised that the Renaissance was "primarily a human event" or excited by the pedestrian approach: dates of birth and death abound. Although he avoids blind admiration (the Mona Lisa "shows the defects of [Leonardo's] slovenly method of working"), Johnson is resolutely canonical: Chaucer is one of precisely four writers in English whose genius, he claims, cannot be rationally explained (Shakespeare, Dickens and Kipling are the others). Other value judgments will also raise eyebrows: Leonardo, for instance, had "not much warmth to him. He may, indeed, have had homosexual inclinations." Johnson equivocates on Michelangelo: he was quarrelsome, secretive and mean-spirited, but to say he was neurotic is "nonsense." More interesting is the remark that the humanists were outsiders, beyond the stifling university pale; the author evidently senses kindred spirits, and he snipes at academia. But there is much here for the academicians to attack, and it is difficult to see how this volume improves on, say, Peter Burke's even briefer volume The Renaissance. 3-city author tour. (Aug.) Copyright 2000 Cahners Business Information.
"This wee book packs more information, insight, and historical
perspective than do most volumes many times its length."
-Forbes
"Abound[s] in interesting detail and idiosyncratic judgment."
-The New York Times
"Mr. Johnson does not reduce the art and literature of this
immensely rich period to mere by-products of the European economy.
. . . His concise and entertaining survey is a reminder that the
most sublime accomplishments of civilization also depend on the
mundane." -The Wall Street Journal
"[Johnson's] reputation for capacious erudition precedes him, and
it is no surprise that he turns in a vibrant summary of the era's
eruption of art." -Booklist
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