Dimensions of Difference in Indigenous Film Reading Nanook's Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner) Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd Indigenous (Re)memory and Resistance: Video Works by Dana Claxton Native Resistance to Hollywood's Persistence of Vision: Teaching Films about Contemporary American Indians Geographies of Identity and Belonging in Sherman Alexie's The Business of Fancydancing Teaching Native American Filmmakers: Osawa, Eyre and Redroad "The Native's Point of View" As Seen Through the Native's (and Non-Native's) Points of View The Dirt Roads of Consciousness: Teaching and Producing Videos with Indigenous Purpose "Pockets Full of Stories": An Interview with Sterlin Harjo and Blackhorse Lowe Wrestling the Greased Pig: An Interview with Randy Redroad Sandra Osawa: An Upstream Journey Video as Community Ally and Dakota Sense of Place: An Interview with Mona Smith The Journey's Discover: An Interview with Shelly Niro
Arch Puddington, deputy director of the New York Bureau of Radio Free Europe-Radio Liberty from 1985 to 1993, is a journalist and commentator whose writings have appeared in Commentary, National Review, New York Times, Washington Post, and other publications. He is currently vice president for research at Freedom House in New York.
No one measure won the Cold War - but Radio Free Europe and Radio Liberty should be in the first rank of those getting the highest medals. Puddington tells the story with style and grace. - R. James Woolsey, former director, Central Intelligence Agency; ""A compelling chronicle of one crucial battlefront in the Cold War."" - Wall Street Journal; ""A thorough and even-handed account of the role that this surrogate home radio service provided."" - Times Literary Supplement; ""A ground-breaking history of RFE-RL that is both erudite and a delight to read. Should help rescue the radios from the 'memory-hole' to which their detractors are attempting to consign them."" - American Spectator
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