Slapstick has always been a film staple, and Dale (writing and American studies, Princeton) presents a history of cinematic slapstick, which he defines as an elemental aspect of existence...a fundamental, universal, and eternal response to the fact that life is physical. This is a selective, appreciative survey of the diverse masters of physical comedy, from Charlie Chaplin (with emphasis on his later Great Dictator), stone-faced Buster Keaton, all-American nice guy Harold Lloyd, the Marx Brothers, writer-director Preston Sturges, and French cult-favorite Jerry Lewis. Rejecting the notion that slapstick necessarily involves pathos, the author deftly combines criticism and biography, offering keen insight and lively prose. He notes that studio bosses believed that men rejected female clowns because they didn!t laugh at attractive women, yet Dale makes a compelling case for Katharine Hepburn as a breakthrough slapstick artist. This book is a fine addition to public and academic libraries, deserving a place next to Walter Kerr!s The Silent Clowns (Da Capo Pr., 1990. reprint) and other classics on film comedy."Stephen Rees, Levittown Regional Lib., PA Copyright 2000 Cahners Business Information.
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