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Philosophy of New Music
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About the Author

Theodor W. Adorno (1903-1969) was the leading figure of the Frankfurt school of critical theory and a significant postwar European philosopher. He authored more than twenty volumes, including Negative Dialectics (1982), Kierkegaard (Minnesota, 1989), Dialectic of Enlightenment (1975) with Max Horkheimer, and Aesthetic Theory (Minnesota, 1998).

Robert Hullot-Kentor has taught at Harvard and Stanford universities and written widely on Adorno. He has translated various works of Adorno, including Aesthetic Theory, and is the author of Things beyond Resemblance: Collected Essays on Theodor W. Adorno.

Reviews

"A manifesto on how criticism could actively participate in and clarify artistic concerns, immanently complicating solidarity between theory and practice."—Platypus Review
 "A surprisingly accessible entry point into understanding Adorno the aesthete. Through a well-crafted and detailed introduction, Hullot-Kentor allows us to glimpse Adorno at the time of this writing—both enamored of and bothered by the works of Schoenberg, repulsed by American culture, not yet hardened into the diamond point of negative dialectics."—PopMatters
"With Hullot-Kentor's masterful translation, readers can now more accurately debate the place of Philosophy of New Music within today's cultural situation."—Cultural Critique

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