A historical reconstruction of the making of a slave society in the Indian Ocean.
Acknowledgments ix
Preface xi
1. In the Beginning 1
2. Engineering a Colony, 1735–1767 33
3. Enlightenment Colonialism and Its Limits, 1767–1789 56
4. Roots and Routes: Ethnicity without Origins 91
5. A Baby in the Salt Pans: Mothering Slavery 123
6. Love in the Torrid Zone 152
7. Reputation, Recognition, and Race 178
8. Speaking Slavery: Language and Loss 202
9. Métissage and Revolution 229
10. Sugar and Abolition 253
Notes 277
Works Cited 305
Index 329
Megan Vaughan is Smuts Professor of Commonwealth History at Cambridge University. She is the author of several books including Cutting Down Trees: Gender, Nutrition, and Agricultural Change in the Northern Province of Zambia, 1890–1990 (with Henrietta L. Moore) and Curing Their Ills: Colonial Power and African Illness.
"Creating the Creole Island is a riveting portrait of a slave-owning society. Megan Vaughan's elegant narrative combines rich and ground-breaking historical analysis with acute theorizing of human subjectivity. It will be of compelling interest to anyone concerned with the emergence of our modern 'creole' world."--Michael Lambek, author of The Weight of the Past: Living with History in Mahajanga, Madagascar "Megan Vaughan has given us a vivid portrait of how a society was formed from the mixture of peoples and languages of eighteenth-century Mauritius. Slaves take the initiative here--one of the many new insights that Creating the Creole Island brings to history, literature, and anthropology. And the book is a wonderful read besides."--Natalie Zemon Davis, author of Women on the Margins: Three Seventeenth-Century Lives "Powerful set of arguments about what it means to be a slave... A compellingly detailed tale...This is an important book of huge interest to Mauritian specialists and historians of the slave trade and slavery elsewhere, as well as scholars interested in questions of gender and identity."--Clare Anderson, American Anthropologist "Megan Vaughan's book is a long awaited one... Excellent."--Vijayalakshmi Teelock, African Affairs "Compelling... Fascinating... Impressive... Vaughan's original contributions--and the thoughtful way she recasts the island's history--make the book compelling reading for anyone interested in colonialism or hybridity... An excellent read... This will be an ideal book to use in graduate seminars on slavery and colonialism, and it deserves a wide readership."--Alyssa Goldstein Sepinwall, American Historical Review "Fascinating... Insightful."--Kathleen Wilson, Radical History Review "Megan Vaughan's study is a tour de force... A truly splendid and wide-ranging book with ramifications well beyond Mauritius...This is a highly engaging, lively book."--Statement of the Prize Committe for the Heggoy Prize from the French Colonial Historical Society "Vaughan's examination of late eighteenth-century court cases involving slaves forms the most insightful section. The records of the judgments of a slave-owning society inevitably suffer from the usual biases. However, they offer glimpses into the reality of slaves' lives, and bring a few acutely, if momentarily, to life."--Gwyn Campbell, International Journal of African Historical Studies "This magnificent book makes a major contribution to historical writing both on Mauritius and on comparative slavery in the Indian Ocean region... Creating the Creole Island presents a host of insights, many of which challenge existing orthodoxies and which will also be of interest to those form whom Mauritius or even slavery are not central concerns."--Nigel Worden, Journal of African History "This is a rich and detailed book that is clearly the result of a great deal of research... Vaughan's book stands as the most nuanced social history of slavery in the Indian Ocean world."--Erik Gilbert, Itinerario "A sophisticated and fascinating portrait of slavery in Mauritius... This is an intriguing treatment of the complexity of human agency within the context of a colonial slave society. The book is written in simple but beautiful prose. Its subjects are allowed to act and speak, Vaughan providing sophisticated but delightful and revealing commentaries. It contains riveting biographical tidbits on slaves (including their real words), colonial officials, and settlers. Thorough in the classical history tradition, it grapples effectively with concepts and issues raised by post-modern discourse. Hence, through an analysis grounded in an excellent blend of historical moment, movement, and structure, the book elucidates many otherwise jargonistic concepts from that perspective."--Femi J. Kolapo, Canadian Journal of History "A highly original, brilliantly crafted, assiduously researched and elegantly written view of slavery and creolization through the wrong end of a telescope; a microcosm of the paradox of an island that is in the mainstream, constantly being touched and occasionally swamped by the tides of humanity, of war and of history washing up on its shores."--Edward I. Steinhart, Interventions "A fascinating exploration of a much more complex eighteenth-century salve society... Vaughan has made a remarkable contribution to the vast historiography of slavery."--Anthony J. Baker, International History Review "A complex interdisciplinary study of the development of Mauritian Creole culture, producing an impressive synthesis of archival research and engaging literary narration... Creating the Creole Island provides new insights into this once lost milieu of Creole peoples, furthering the scholarship of Colonial, Mauritian and Eighteenth Century historiographies and providing a valuable asset to graduate-level courses in those respective fields."-- Jacque Johnson, Eighteenth-Century Book Reviews Online "Historian Megan Vaughan's foray into the Indian Ocean has produced one of the most exciting books on Mascarene slavery and creole studies in recent years. Creating the Creole Island is unique and remarkable... Creating the Creole Island will stand as one of those classic and lasting monographs setting out a field and guiding future historians into pathways they could not have imagined."-- Pier M. Larson, Journal of Southern African Studies
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