Table of Contents

• Notes on Contributors
• Introduction - MICHAEL TALBOT
• 1. A Venetian Operatic Contract of 1714 - MICHAEL TALBOT
• 2. What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England - JUDITH BLEZZARD
• 3. The Modernisation of London Concert Life around 1900 - SIMON MCVEIGH AND CYRIL EHRLICH
• 4. Debussy, Durand et Cie: A French Composer and His Publisher (1884–1917) - ROBERT ORLEDGE
• 5. Nadia Boulanger (1887–1979): The Teacher in the Marketplace - CAROLINE POTTER
• 6. Copyright as a Component of the Music Industry - DAVE LAING
• 7. Illegality and the Music Industry - SIMON FRITH
• 8. The Tarnished Image? Folk ‘Industry’ and the Media - MIKE BROCKEN
• 9. Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland - ROB STRACHAN AND MARION LEONARD
• 10. Paying One’s Dues: The Music Business, the City and Urban Regeneration - SARA COHEN
• 11. Learning to Crawl: The Rapid Rise of Music Industry Education - MIKE JONES
• Index of Personal Names

About the Author

Michael Talbot is Professor of Music at the University of Liverpool.