Susan Sontag, in memoriam; 'Presentation,' by Finbarr Barry Flood and Zoe S. Strother; 'Restoration as recreation at the Sainte-Chapelle of Paris,' by Meredith Cohen; 'Ars Longa Vita Brevis: Art after agency in ancient Maya sculpture,' by Bryan R. Just; 'Recycling icons and bodies in Chinese anti-Buddhist persecutions,' by Eric Reinders; 'Censorship and iconoclasm - unsettling monuments,' by John Peffer; 'Beyond monument lies empire: Mapping Songhay space in sixteenth-century Mali,' by Kristina Van Dyke; 'When the object of transmission is not an object: A West African example (Guinea, Conakry),' by David Berliner; 'Tocapu: 'You only live twice',' by Tom Cummins; 'Roman oscilla: An assessment,' by Rabun Taylor; 'Turning tale into vision: Time and image in the Divine Comedy,' by Gervase Rosser; 'Brunelleschi - Manetto/Matteo: Central perspective and anthropological experiment,' by Friedrich Bach; and 'The Torchlight Visit: Guiding the eye through the late eighteenth- and early nineteenth-century antique sculpture galleries,' by Claudia Mattos; Lectures, Documents and Discussions: 'Fluxus,' Cuauhtemoc Medina; and "Diskotel' 1967: Israel and the Western Wall in the aftermath of the Six-Day War,' by Daniel Bertrand Monk.
Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University.
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