Table of Contents

Introduction; Part I Croatia under Tu?man, 1991–2000; Chapter 1 Music at Arms: The Presidential Narrative of the War; Chapter 2 Music for the Nation: Creating a 'Croatian' Popular Music; Part II Croatia after Tu?man (2000–2008); Chapter 3 Music in Protest: Nationalism Detached from the State; Chapter 4 Music on the Market: Pop-Folk and Cultural Boundaries; Chapter 5 Music at First Hand: Observing Three Musical Events; Part III Croatia in a Regional Context; Chapter 6 Music without Borders?: After the Disintegration of Yugoslavia; conclusion Conclusion;

About the Author

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK

Reviews

Prize: Awarded the BASEES George Blazyca Prize for 2012 'An exhaustive, vividly documented account of the political utility of popular music in Croatia during and after the Homeland War... Rich in documentary details and interpretive conclusions.' Slavic Review ’Baker’s book is a significant contribution to the literature on the former Yugoslavia and its collapse.’ Europe-Asia Studies 'Sounds of the Borderland is an excellent read that skilfully demonstrates the interaction between everyday popular culture and national identity. It is without a doubt a book that future researchers in the field will value.' Slovo