Boris Kachka in the author of Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House. He is the Books Editor at New York magazine, where he has also been a writer covering books, theater, film, and other cultural industries and personalities for many years. He has also contributed to the New York Times, GQ, Elle, T, and Condé Nast Traveler. He lives in Brooklyn, NY, with his wife and son.
A Wall Street Journal, Boston Globe, and IndieBound Bestseller
A Washington Post Notable Book of the Year
Finalist for the National Book Critics Circle John Leonard
Award
“Swashbuckling . . . Exhaustively researched and sometimes gossipy
. . . Hothouse is the hot book that book people are talking about,
and understandably so.”
*NPR*
“Gripping . . . [A] wonderful book . . . Hothouse is Pepys for our
time, an unblinking account of publishing history as it was made by
Roger’s firm, the last of America’s major independent publishing
houses. Roger would have been thrilled to publish this fine book,
including its frequent and deserved criticisms of himself.”
*Jason Epstein, The New York Review of Books*
"Riveting . . . Stellar . . . A vivid narrative . . . Hothouse fits
nicely on a shelf next to entertaining business books such as
Walter Isaacson’s Steve Jobs or Michael Lewis’ Moneyball."
*Dallas Morning News*
“Valuable . . . [A] vigorous and often diverting trot through the
history of an important cultural institution . . . No one has
previously anatomized a publishing house in such depth . . .
Farrar, Straus & Giroux, moreover, is well worth anatomizing. It’s
had a larger-than-life central character, an amusing cast of
secondary characters, and a history replete with drama. Most
important, it has maintained an amazingly consistent level of
quality.”
*The New Yorker*
“Hothouse simmers with gossipy tales of publishing . . . and [is]
blessed with real-life characters who could star in any sexy novel.
. . . It’s not a book just for intellectuals.”
*USA Today*
“Vivid . . . Witty . . . Immensely enjoyable . . . Kachka sets
forth a strikingly unexpurgated history of FSG, impressively
researched, rich in anecdotes and journalistically balanced.”
*The Washington Post*
"Excellent . . . Hothouse is as engrossing as a biography of any
major cultural icon."
*NPR*
“Hothouse is a thrilling look at the heyday of the publishing
industry . . . [and] the man who, as Kachka points out, shaped the
postwar intellectual tone in this country through the sheer dint of
his brazenness and charm.”
*Entertainment Weekly*
“Irresistible . . . Juicy history . . . A delectable story about
the intersection of art, commerce, passion and personalities. . . .
Hothouse feels like a party where you’re surprised to discover that
you know—and admire—most of the other guests.”
*Los Angeles Times*
“What is it about literary types? Oh, the sex! Oh, the emotional
drama! And, oh, what tremendous fun it all is to read about when
we’re in the hands of a writer who knows how to spin a savory tale.
So it is with Boris Kachka’s delectably gossipy Hothouse, a deeply
researched, jam-packed, surprisingly hard-to-put-down history of
the eminent publishing house Farrar, Straus & Giroux that escapes
lit-nerd ghettoization by the sheer force of its storytelling. . .
. Hothouse is a ripping read.”
*The Boston Globe*
“Colorful history . . . Hothouse isn’t a management book; it’s a
narrative of large personalities at play. Yet out of it comes a
clear account of how to thrive in a tough commercial environment. .
. . Kachka tells the story of the house’s `class-mass’ success in
delicious detail.”
*The Wall Street Journal*
“Dishy . . . Entertaining . . . [A] vivid account.”
*The New Republic*
“A roaring chronicle . . . For anyone with a sweet tooth for the
book world or a thought and a care for American culture after the
Second World War, the book is a brightly lit, well-stocked candy
store. . . . It’s also a superb business story, revealing how an
enterprise became an institution. . . . [An] essential book.”
*Bookforum*
“The truth about industry books is that they rarely interest those
who live and breathe outside of the industry in question. In other
words, people on the street rarely clamor for tours of the office
buildings above them. The rare ability not only to lead the reader
in, but induce him to want to stay and peer into the filing
cabinets is what makes Boris Kachka’s first book Hothouse something
of a masterpiece of business biography. . . . The real success of
Hothouse lies in its telling, and Kachka manages a commanding
momentum through decades at full wingspan.”
*Interview*
“A rough-and-tumble, heroic tale . . . Kachka takes us back to the
black-and-white era when good old-fashioned hard-covers stood
unassailably at the very heart of the culture. . . . I loved
reading the spiky, spicy evocation of the company’s good old
days.”
*Jonathan Galassi, New York magazine*
“Scintillating . . . Crammed with delicious anecdotes . . . [A]
compulsively readable tale of the creation, triumphs and
tribulations of Farrar, Straus and Giroux.”
*The Forward*
“A juicy account of the postwar New York book world . . . Not your
average beach read, Hothouse, out August 6, is one nonetheless—a
Gossip Girl for those fascinated with the literary elite.”
*Harper’s Bazaar, Summer 2013 “Hot List”*
“Farrar, Straus and Giroux is the Versailles of American
publishing. . . . But every palace has its intrigue, as Kachka
shows us in this lively, witty account. . . . The extramarital (and
often intramural) affairs conducted by publisher Roger Straus in
the 1960s and ’70s were legendary—his wife called the company a
`sexual sewer’—but the entire office apparently would have made Don
Draper blush. Kachka dishes up these cold cases piping hot, but his
research reveals an equally fascinating business story: How do you
balance fine art and filthy lucre?”
*Mark Athitakis, AARP Magazine*
“Hothouse has both intelligence and wit in its revelations of
publishing, publishers, and the capture of authors. The story of
FSG is a dazzling wide-lens view of decades of literary America. To
call Boris Kachka’s prose `brilliant’ is not a cliché; it has
meaning.”
*Toni Morrison*
“This is an amazing, once-in-a-lifetime book. With Hothouse Kachka
has produced his very own Mad Men for the literary world—an
exhilarating, beautifully written biography of FSG that’s really an
exhilarating, beautifully written biography of a literary
culture.”
*Junot Díaz*
“Astounding: an intelligent, knowing, beautifully written,
spectacularly well-reported (read: gratifyingly gossipy) chronicle
of the ultimate old-school book publisher. If you want a sense of
how big-time, high-end New York publishing used to work and works
today, I can't imagine a finer, more authoritative guide.”
*Kurt Andersen*
“Boris Kachka would have you believe that Hothouse is the inside
story of book publishing as told through the prism of that
industry’s original odd couple. Do not believe him. Do not be
fooled by the wonderful stories of famous authors, editors, and
publishers. Here instead is a sneakily informative view of how art
gets made in America, a fresh look at the intersection of commerce
and culture.”
*Sloane Crosley*
“As a literary biographer, I’m amazed this book hasn’t been written
yet in some form, and we can only be grateful that the matter
rested until such a stylish, insightful author as Kachka came along
to write it. It reminds me of another of my favorite books, Brendan
Gill’s Here at The New Yorker—full of sad/funny anecdotes about
living, breathing human beings, namely (in both cases) nothing less
than the major figures in twentieth century American literature. At
the center of both books, too, are two fascinating, polar-opposite
protagonists: New Yorker editors Harold Ross and William Shawn in
Gill’s book, and the flamboyant, Ascot-wearing Roger Straus and his
fastidious editor-in-chief, Robert Giroux, in Kachka’s. What all
four of these deeply strange men had in common was a love of good
writing and a genius for eliciting same from the fortunate authors
in their charge. Hothouse is a must-read for anyone curious about
the secret history of American publishing in the postwar era.”
*Blake Bailey*
“Hothouse is a wonderful book—a sharp look at the backstory of a
famous publishing house and the flamboyant man who got as much
attention as the writers he usually got cheap. Bravo!”
*Larry McMurtry*
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