VOLUME 1: A CULTURAL HISTORY OF COLOR IN ANTIQUITY Edited by David Wharton, University of North Carolina at Greensboro, USA 1. Philosophy and Science, Katerina Ierodiakonou 2. Technology and Trade, Hilary Becker 3. Power and Identity, Kelly Olson and David Wharton 4. Religion and Ritual, Verity Platt 5. Body and Clothing, Lloyd Llewellyn-Jones 6. Language and Psychology, Katherine McDonald 7. Literature and the Performing Arts, Karen Bassi and David Wharton 8. Art, Mark Abbe 9. Architecture and Interiors, Stephan Zink 10. Artefacts, Ellen Swift VOLUME 2: A CULTURAL HISTORY OF COLOR IN THE MEDIEVAL AGE Edited by Carole Biggam, University of Glasgow, UK, & Kirsten Wolf, University of Wisconsin-Madison, USA 1. Philosophy and Science, A. Mark Smith 2. Technology and Trade, Jo Kirby 3. Power and Identity, Wim Blockmans 4. Religion and Ritual, Andreas Petzold 5. Body and Clothing, Gale R. Owen-Crocker 6. Language and Psychology, Carole P. Biggam, Roman Krivko, Piera Molinelli, and Kirsten Wolf 7. Literature and the Performing Arts, Mark Cruse 8. Art, Thomas Dale 9. Architecture and Interiors, Eva Oledzka 10. Artefacts, Leslie Webster VOLUME 3: A CULTURAL HISTORY OF COLOR IN THE RENAISSANCE Edited by Sven Dupré, Utrecht University, The Netherlands, & Amy Buono, Rio De Janeiro State University, Brazil 1. Philosophy and Science, Tawrin Baker 2. Technology and Trade, Jo Kirby 3. Power and Identity, Peter C. Mancall 4. Religion and Ritual, Lisa Pon 5. Body and Clothing, Carole Frick 6. Language and Psychology, Doris Oltrogge 7. Literature and the Performing Arts, Bruce R. Smith 8. Art, Marcia Hall 9. Architecture and Interiors, Cammy Brothers 10. Artefacts, Leah R. Clark VOLUME 4: A CULTURAL HISTORY OF COLOR IN THE AGE OF ENLIGHTENMENT Edited by Carole Biggam, University of Glasgow, UK, & Kirsten Wolf, University of Wisconsin-Madison, USA 1. Philosophy and Science, Anna Marie Roos 2. Technology and Trade, Alexander Engel 3. Power and Identity, Monika Barget 4. Religion and Ritual, Felicity Loughlin 5. Body and Clothing, Mechthild Fend and Amelia Rauser 6. Language and Psychology, João Paulo Silvestre 7. Literature and the Performing Arts, Timothy Campbell 8. Art, Karin Leonhard 9. Architecture and Interiors, Basile Baudez 10. Artefacts, Clive Edwards VOLUME 5: A CULTURAL HISTORY OF COLOR IN THE AGE OF INDUSTRY Edited by Alexandra Loske, University Of Sussex, UK 1. Philosophy and Science, Georges Roque 2. Technology and Trade, Laura Anne Kalba 3. Power and Identity, Dominique Grisard 4. Religion and Ritual, Charlotte Ribeyrol 5. Body and Clothing, Charlotte C. Nicklas 6. Language and Psychology, Nicholas Gaskill 7. Literature and the Performing Arts, Margrit Vogt 8. Art, Joyce H. Townsend 9. Architecture and Interiors, Megan Aldrich 10. Artefacts, Kelly F. Wright VOLUME 6: A CULTURAL HISTORY OF COLOR IN THE MODERN AGE Edited by Sarah Street, University of Bristol, UK, & Anders Steinvall, Umeå University, Sweden 1. Color Philosophy and Science, Jacob Browning and Zed Adams 2. Color Technology and Trade, Stephen Westland and Qianqian Pan 3. Power and Identity, Zena O’Connor 4. Religion and Ritual: The Modern Religio-colorscape, Urmila Mohan 5. Body and Clothing, Tracy Cassidy 6. Language and Psychology, Galina V. Paramei and David L. Bimler 7. Literature and the Performing Arts, Nicholas Gaskill, Sarah Street, & Joshua Yumibe 8. Art, Judith Mottram 9. Architecture and Interiors, Juan Serra 10. Artefacts, Kelly F. Wright
The first systematic history of color in Western culture.
Carole P. Biggam PhD, is an Honorary Senior Research Fellow in English Language, School of Critical Studies, University of Glasgow, a Life Member of Clare Hall, University of Cambridge, and a Fellow of the Society of Antiquaries of London. Kirsten Wolf PhD, is Professor of Old Norse and Scandinavian Linguistics and Torger Thompson Chair in the Department of Scandinavian Studies at the University of Wisconsin-Madison.
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