Table of Contents

• Acknowledgments
• Chapter 1. Introduction (Amanda Ann Klein and R. Barton Palmer)
• Chapter 2. The Kissing Cycle, Mashers, and (White) Women in the American City (Amanda Ann Klein)
• Chapter 3. Descended from Hercules: Masculine Anxiety in the Peplum (Robert Rushing)
• Chapter 4. The American Postwar Semidocumentary Cycle: Factual Dramatizations (R. Barton Palmer)
• Chapter 5. Cycle Consciousness and the White Audience in Black Film Writing: The 1949–1950 "Race Problem" Cycle and the African American Press (Steven Doles)
• Chapter 6. Vicious Cycle: Jaws and Revenge-of-Nature Films of the 1970s (Constantine Verevis)
• Chapter 7. Familiar Otherness: On the Contemporary Cross-Cultural Remake (Chelsey Crawford)
• Chapter 8. Anime's Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon (Elizabeth Birmingham)
• Chapter 9. It's Only a Film, Isn't It? Policy Paranoia Thrillers of the War on Terror (Vincent M. Gaine)
• Chapter 10. Doing Dumbledore: Actor-Character Bonding and Accretionary Performance (Murray Pomerance)
• Chapter 11. A Lagosian Lady Gaga: Cross-Cultural Identification in Nollywood's Anti-Biopic Cycle (Noah Tsika)
• Chapter 12. Re-solving Crimes: A Cycle of TV Detective Partnerships (Sarah Kornfield)
• Chapter 13. Smart TV: Showtime's "Bad Mommies" Cycle (Claire Perkins)
• Chapter 14. My Generation(s): Cycles, Branding, and Renewal in E4's Skins (Faye Woods)
• Chapter 15. Extended Attractions: Recut Trailers, Film Promotion, and Audience Desire (Kathleen Williams)
• Chapter 16. Retro-Remaking: The 1980s Film Cycle in Contemporary Hollywood Cinema (Kathleen Loock)
• Chapter 17. I Can't Lead This Vacation Anymore: Mumblecore's American Man (Amy Borden)
• Chapter 18. Serialized Killers: Prebooting Horror in Bates Motel and Hannibal (Andrew Scahill)
• List of Contributors
• Index

Promotional Information

"A strong and very necessary addition to the growing body of work that contends with filmic repetition and the commercial and cultural complexities of film and television production and reception across multimedia platforms. The range of essays is impressive." -- Carolyn Jess-Cooke, University of Glasgow, author of Film Sequels: Theory and Practice from Hollywood to Bollywood and coeditor of Second Takes: Critical Approaches to the Film Sequel "This volume expands on Amanda Ann Klein's American Film Cycles to open up an extremely fruitful approach to serial and related media phenomena. It will no doubt be adopted as a supplementary text for a wide range of courses in film and television studies." -- Linda C. Badley, Professor of English, Middle Tennessee State University, and author of Lars von Trier and many other works on film

About the Author

Amanda Ann Klein is an associate professor of film studies at East Carolina University. R. Barton Palmer is Calhoun Lemon Professor of Literature and director of film studies at Clemson University.

Reviews

"This volume expands on Amanda Ann Klein’s American Film Cycles to open up an extremely fruitful approach to serial and related media phenomena. It will no doubt be adopted as a supplementary text for a wide range of courses in film and television studies."
*Linda C. Badley, Professor of English, Middle Tennessee State University, and author of Lars von Trier and many other works on film*