List of Tables
Preface
Introduction: Interpreting, Editing, and Valorizing Traditional
Works from Ethnographical Recordings
Personal Landscapes
The Wagʷə́t
Náyma ganúłayt wagəškix (I Lived with My Mother’s Mother)
Summer in the Mountains
My Grandmother Never Explained Childbirth to Me
Weeping about a Dead Child
A Molale Hunter Who Was Never Frightened
A Shaman Doctored Me for My Eyes
Ičə́čġmam ganẋátẋ aġa Dušdaq ningidə́layt (I Was Ill, Dúšdaq
Doctored Me)
Náyka kʷalíwi wágəlxt (I and My Sister-Cousin)
A Tualatin Woman Shaman and Transvestite
A Shaman at My Mother’s Last Illness
Historical Landscapes
Spearfishing at Grand Ronde
Slaughtering of Chinook Women
Captives Escape Snake Indians
Wálxayu ičámxix gałẋílayt (Seal and Her Younger Brother Lived
There)
Wišə́liq išq’íxanapx gašdašgúqam (Two Maidens, Two Stars Came to
Them)
Wásusgani and Wačínu
Inventions and New Customs as Sources of Amusement
Cultural Landscapes
Išknúłmapx (Two Grass Widows)
Restrictions on Women
Laughing at Missionaries
The Honorable Milt
Išk’áškaš škáwxaw gašdəẋuẋ (Two Children, Two Owls, They
Became)
Joshing during a Spirit-Power Dance
Fun-Dances Performed by Visitors
Notes
References
Index
Catharine Mason is an associate professor of ethnographic linguistics and English studies at Université de Caen Normandie, Caen, France.
“An important and delightful contribution to the study of Native
American ethnopoetics and verbal art. In Mason’s careful
ethnopoetic renderings of the narratives of raconteur Victoria
Howard we hear her voice, as never before, as she tells the
personal and cultural stories that compose this wonderful corpus of
the Molalla-Clackamas narratives that emerged from her
collaboration with Jacobs.”—Paul V. Kroskrity, coeditor of The
Legacy of Dell Hymes: Ethnopoetics, Narrative Inequality, and
Voice
“The Clackamas Chinook narratives by Victoria Howard (1865-1930)
evoke tribal traditions, values, and human experiences of the
tribes of the Western Oregon Grande Ronde. More than sixty years
following the publication of Melville Jacob’s original publication,
Catharine Mason’s selection from Howard’s Clackamas corpus,
presents for republication a remarkable selection of well-crafted
texts taken from an almost forgotten vocal performance artist
accessible to both scholars and Chinookan descendants and members
of the Confederated Tribes of Grande Ronde. This new and updated
collection will provide a source of reading enjoyment as well as a
significant contribution to American Northwest Coast oral
traditions and literatures.”—Gus Palmer Jr., editor of When Dream
Bear Sings: Native Literatures of the Southern Plains
“Drawing on developments in ethnolinguistics, ethnopoetics, and
narratology, Catharine Mason offers a beautifully presented, and
fully annotated edition and verse translation of a selection of the
works of Victoria Howard, one of the great North American
storytellers. Mason’s respectful handling of these performances
gives full recognition to the necessity for reading/hearing them in
consultation with the communities whose ancestors were their
creators.”—John Leavitt, author of Linguistic Relativities:
Language Diversity and Modern Thought
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