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Telling Our Stories
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Table of Contents

List of Maps and Illustrations

Preface and Acknowledgements, The Editors

Glossary of Cree Terms

    Words and Personal Names

    Place Names

    Suggested Language Resources

    Maps

Chapter 1: An Omushkego Storyteller and his Book

    A Quotation Story: "It Must Be Your Thigh Bone that You Hear"

Chapter 2: "Now, the Question of Creation": Stories About Beginnings and the World before We Came

    Introduction, Paul W. DePasquale

    Giant Animals

    Mi-she-shek-kak (The Giant Skunk)

    Creator Talks to the Animals About the Emergence of the Humans

    E-hep

Chapter 3: Mi-te-wi-win: Stories of Shamanism and Survival

    Introduction, Mark F. Ruml

    The Dream Quest and Mi-te-wi-win

    Guidance and Instruction From an Older Relative

    Dream Quest

    Extra Senses - Mind Power

    Mi-te-wak Fights

    Introduction to the Shaking Tent, Mark F. Ruml

    The Shaking Tent

Chapter 4: Mi-tew Power: Stories of Shamanic Showdowns

    Introduction, Mark F. Ruml  

    The Legend of We-mis-shoosh

    The Young Orphan Boy Defeats a Powerful and Feared Mi-tew

Chapter 5: Omens, Mysteries, and First Encounters

    Introduction, Jennifer S.H. Brown

    The Omushkego Captive and the Na-to-way-wak: A Remarkable Escape

    Omens, Mysteries, and First Encounters with Europeans

    "I Cannot Have Anything from these We-mis-ti-go-si-wak"

    "In the Memory of the Wikeson I-skwe-o"

    Cha-ka-pesh and the Sailors

    Strangers on Akimiski Island: Helping a Grounded Ship

    Wa-pa-mo-win, the Mirror

Chapter 6: "The Wailing Clouds" (Pa-so-way-yan-nask Chi-pe-ta-so-win)

    Introduction, Anne Lindsay

    The Wailing Clouds

Chapter 7: Arrows and Thunder Sticks: Technologies Old and New

    Introduction, Roland Bohr

    On Firearms and Archery

Chapter 8: Mi-te-wi-win versus Christianity: Grand Sophia's Story

    Introduction, Donna G. Sutherland

    Grand Sophia's Near-Death Experience

Chapter 9: Conclusion: Problems and Hopes

References

Notes on Contributors

Index

Promotional Information

This is an amazing book, carefully produced with helpful maps, glossary, notes, and illustrations. The editors' preface and Louis Bird's own introduction to his life and work orient the reader so everything works together to create the context for understanding the stories themselves. And the stories are wonderful! Illuminating and ranging widely over a variety of topics and themes, they are skillfully told and rendered. This is a moving and comprehensive book. We should be grateful to Mr. Bird and his collaborators for allowing us into this world. -- Brian Swann, The Cooper Union for the Advancement of Science and Art Mr. Louis Bird is a distinguished public intellectual from his Omushkego (Cree) community who has collaborated effectively with scholars from the University of Winnipeg to bring his knowledge to his own community and beyond. Rarely do outsiders have such an opportunity to hear an elder speak in the full range of oral tradition genres: from creation stories and traditional legends to historical memories passed down by previous generations of cultural experts within the community, to personal experiences, to elegiac reflection on contemporary loss of culture and language (which he dates to 1980 when most people stopped living on the land). These narratives are unified by Mr. Bird's self-confidence and pride in his Omushkego ways. He has sought out others with traditional knowledge and incorporated their words in his own synthesis. He records this knowledge, which is the intellectual property of his community, so that future generations will have access to it. -- Regna Darnell, Director of First Nations Studies Program, University of Western Ontario

About the Author

Louis Bird is a widely known storyteller and historian of his Omushkego (Swampy Cree) people. A member of Winisk First Nation, he resides in Peawanuck near the shore of Hudson Bay. He has devoted the last three decades to preserving Omushkego stories, language, and history on audiotape. More than 80 of the stories he has gathered, along with overviews of his life story and the Winisk region, are presented on the website www.ourvoices.ca, produced by the Omushkego Oral History Project at the University of Winnipeg.
Jennifer S.H. Brown is a Professor in the Department of History at the University of Winnipeg, Canada Research Chair in Aboriginal Peoples in an Urban and Regional Context, and Director of the Centre for Rupert's Land Studies at the University of Winnipeg. She is the author of Strangers in Blood: Fur Trade Company Families in Indian Country (University of Oklahoma Press, 1996).

Reviews

This is an amazing book, carefully produced with helpful maps, glossary, notes, and illustrations. The editors' preface and Louis Bird's own introduction to his life and work orient the reader so everything works together to create the context for understanding the stories themselves. And the stories are wonderful! Illuminating and ranging widely over a variety of topics and themes, they are skillfully told and rendered. This is a moving and comprehensive book. We should be grateful to Mr. Bird and his collaborators for allowing us into this world.--Brian Swann, The Cooper Union for the Advancement of Science and Art
Mr. Louis Bird is a distinguished public intellectual from his Omushkego (Cree) community who has collaborated effectively with scholars from the University of Winnipeg to bring his knowledge to his own community and beyond. Rarely do outsiders have such an opportunity to hear an elder speak in the full range of oral tradition genres: from creation stories and traditional legends to historical memories passed down by previous generations of cultural experts within the community, to personal experiences, to elegiac reflection on contemporary loss of culture and language (which he dates to 1980 when most people stopped living on the land). These narratives are unified by Mr. Bird's self-confidence and pride in his Omushkego ways. He has sought out others with traditional knowledge and incorporated their words in his own synthesis. He records this knowledge, which is the intellectual property of his community, so that future generations will have access to it.--Regna Darnell, Director of First Nations Studies Program, University of Western Ontario

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