Chapter 1. Staging the Nations Rebirth: The Politics and
Aesthetics of Performance in the Context of Fascist Studies
R. Griffin
Chapter 2. The Cultural Politics of Fascist
Governments
R. Kühnl
Chapter 3. The Ritual Core of Fascist Theatre: An
Anthropological Perspective
G. Berghaus
Chapter 4. The Theatre of Politics in Fascist Italy
E. Gentile
Chapter 5. The Organization, Fascistization and
Management of Theatre in Italy, 1925-43
D. Thompson
Chapter 6. Theatre Politics of the Mussolini Regime and
their Influence on Fascist Drama
P. Cavallo
Chapter 7. Mussolini's "Theatre of the Masses"
M. Verdone
Chapter 8. Censorship in Nazi Germany: The Influence of
the Reich's Ministry of Propaganda on German Theatre and Drama,
1933-1945
B. Panse
Chapter 9. The Municipal Theatre in
Frankfurt-on-the-Main: A Provincial Theatre under National
Socialism
B. Schültke
Chapter 10. The Orchestration of the National Community:
The Nuremburg Party Rallies of the NSDAP
H.-U. Thamer
Chapter 11. Theatre and Falangism at the Beginning of the
Franco Regime
S. Wahnon
Chapter 12. Competing Together in Fascist Europe: Sport
in Early Francoism
J. London
Chapter 13. Jacques Copeau and "Popular Theatre" in Vichy
France
S. Added
Chapter 14. Towards an Aesthetics of Fascist Opera
E. Levi
Bibliography
Illustrations
Index
Günter Berghaus received his Ph.D. in Theatre Studies and his Habilitation from the Free University of Berlin, he taught at the University of London and now holds a Readership in Theatre History and Performance Studies at the University of Bristol.
"... [an] important and well-compiled collection ... Berghaus' superb introductory piece reminds us how severely distorted the lens through which we regard these troubling two decades has become ... [he] seeks ... to enlist the relatively new discipline of 'theatre anthropology' [and] the results are most impressive." · German Studies Review "... an important addition to the literature ... a fascinating, authoritative and highly informative collection of essays which will prove invaluable both to the specialist and the student reader." · Theatre Research International "... represents a fresh perspective on fascist theatre history ... a valuable source book on the politics ... achieves a searching comparative perspective on the phenomenon of Fascist aesthetics and theatrics ... and will be useful both to all students of Fascism and ... students of the performing arts." · The International History Review
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