Foreword
Introduction
Part 1: Beginnings
Childhood in Mannheim
Waiting in New York City
Gorwing Up in Worcester, Massachusetts
Part 2: Formative Experiences
Harvard Years and Tanglewood Summers
"You're in the Army Now!"
Part 3: Texas
Dallas Beckons
Between Temple, Theatre, and Colony
Opportunities and Challenges
Marriage and Family
Last Years in Texas
Part 4: Rochester, New York
First Years in Rochester
Crisis and Resolution
A New Era at Eastman
Vienna-At Home Abroad
Three Books
Years of Expansion, Challenge, and Change
Part 5: Fin de Siècle and New Millennium
New Beginnings
Juilliard and Beyond
Epilogue
Charts [Samuel Adler's] long life in this inspirational and
lavishly produced book replete with charming anecdotal stories and
many interesting photographs.
*STRINGENDO, AUSTA NATIONAL JOURNAL*
Adler's storytelling takes you straight to the heart of significant
scenes from his remarkable life. Destiny, talent, passion, zeal and
a touch of 'workaholism' have placed Adler in key positions to
witness events shaping America's 20th and 21st-century musical
history. His keen observance and amazing memory make this an
extremely thorough account of modern musical life -- at the top of
the heap. This transcends other memoirs by the normity of its scope
and the intimacy of its details. . . . Such even-handed and honest
storytelling of a life so rich offers contemporary commentary with
the benefit of hindsight.
*AMERICAN MUSIC TEACHER*
[C]oncise, compelling, and down-to-earth. . . . an engaging
read.
*NEW MUSIC CONNOISSEUR*
Told with the same honesty and passion [Adler] brings to his
teaching, this volume is both entertaining and instructive, and
sure to be an important primary source about American's new music
scene in the America of the 20th and early 21st centuries.
*JUILLIARD JOURNAL*
[A] fascinating book for anyone who has any interest in history or
humanity. . . . [E]xtremely well-written. . . . Though his music is
well-documented here and his philosophy of composing explained, I
can imagine someone enjoying this book who had no interest in music
whatsoever. . . . For his part, the composer concludes at the end
of his lavishly illustrated book that his life has been ruled by
the Jewish concept of tikkun olam -- healing or repairing the world
so that by our life's work we would leave the world a better place
than when we depart from it. Nobody who reads very far in Building
Bridges will doubt for a moment that this is exactly what Samuel
Adler has done.
*SPECIAL TO THE BLADE*
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