AcknowledgmentsIntroduction: Can a City Be Planned?Bryant's QuestionsCity BuildingUrbanismCity and Nation1. Metropolis and NationSaint Olmsted and Frederick the GreatAllegories of the National CityscapeThe American MetropolisThe Class World of Bourgeois UrbanismThe Meanings of EmpireOlmsted's Return2. The Midcentury BoomThe American MuseumOverview of a BoomTerminals and TenementsThe Eternal Building Up and Pulling DownMay Day3. The Rule of Real EstateMyth of OriginsThe Landscape of AccumulationThe Discipline of Land ValuesThe March of ImprovementThe Logic of the GridDreamland4. The Frictions of SpaceUneven DevelopmentArterial SclerosisModernization and Its DiscontentsBoundaries and BoundarilessnessThe New Urbanism5. Imagining the Imperial MetropolisImagined ProspectsThe Bridge Between Capital and CultureEros and CivilizationSecond EmpireDisciplining the StreetsUrbane DomesticityMelodrama6. The Politics of City BuildingThe Emperor of New YorkBest Men, Businessmen, and BoostersCity Building and State BuildingCity BlocsThe Politics of StewardshipThe Modern Prince7. UptownutopiaOverruling the GridInside Out: The Paradoxes of Central ParkAn Urbanism of the PeripheryCheap Trains and Cottage SuburbsThe Uptown Prospect8. The Failure of Bourgeois UrbanismThe Meanings of ReconstmctionThe Legacies of Bourgeois UrbanismThe End of the Boom and the Politics of RetrenchmentThe Battle for the Annexed DistrictThe March of Improvement, 1890Appendix: Statistical TablesNotesIndex
How did New York City come to represent the best and worst of urban life?
David M. Scobey is Associate Professor of Architecture and Director of the Arts of Citizenship Program at the University of Michigan.
"The author of this study has written a graceful, tightly argued monograph that will appeal to all who are interested in the relationships among urban history, architecture, and landscape." The Historian "Exhaustively researched, beautifully written, and powerfully argued... Empire City will influence the theories and histories of urban geographers, historians, sociologists, and cultural theorists alike." --George Chauncey, University of Chicago, author of Gay New York "Lucidly written, deeply researched and thought through, Empire City zooms to the front rank of books about nineteenth century New York. Scobey examines the way real estate boosters, visionary reformers, business elites and Tammany politicos reshaped Gotham's cityscape, for good and ill. His analytical approach both illuminates a particular era, and provides a powerful general model for examining other times, other places." --Mike Wallace, co-author of Pulitzer-Prize winning Gotham: A History of New York "What made New York? In David Scobey's deft and deeply meditated account, it is not the blind forces of modernization nor the overarching will of an Haussman, but the complex interplay of interests, values and ideas--and above all the grandiose city--and nation-building aspirations of the 'bourgeois urbanists' of the 1860s and 70s. Scobey's New York is both a supremely self-conscious project--a 'mission civilatrice,' as he writes--and the battleground for the conflicting political, economic and social ambitions of an emergent world-city. This is a book for anyone who cares about cities--their future as well as their past." --James Traub, contributing writer for The New York Times Magazine and author of City On A Hill: Testing The America Dream At City College "Scobey has written a brilliant, evocative account of New York on the brink of economic and social chaos." --Journal of American History "Scobey's study is a significant contribution to literature in several fields... Perhaps most useful is Scobey's willingness to employ the lens of political economy to dissect the process of urbanization." --History: Review of New Books "It is best to treat [the book] not as a work of urban theory, but as a powerfully written (and very well illustrated) analysis of the specificities of class formation, class conflict and urban culture in the making of modern Manhattan." --Cultural Geographies "Scobey obviously understands buildings, but his larger interests lie in the economic forces, political trends, and cultural values that together determine what buildings and supporting infrastructure will be built where, when and for the benefit of whom...One cannot help, after reading Empire City, feeling a bit of nostalgia for the idealism and broad geographic mindedness of New York's nineteenth-century urbanists. Historical Geography
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