About the Author

Alain Mabanckou was born in 1966 in Congo. An award-winning novelist, poet, and essayist, Mabanckou currently lives in Los Angeles, where he teaches literature at UCLA. Among his acclaimed novels are African Psycho; Broken Glass; Black Bazaar; and Tomorrow I Will Be Twenty, a fictionalized retelling of Mabanckou's childhood in Congo. In 2015, Mabanckou was a finalist for the Man Booker International Prize. Helen Stevenson is the author of three novels and has worked as a translator for Faber & Faber and Serpent’s Tail. Since taking up full-time writing, she regularly reviews for The Independent. She now lives in London.

Reviews

Winner, 2015 French Voices Award

Praise for The Lights of Pointe-Noire
"The author’s real achievement is to capture a universal experience, one ever more common in the age of mass migration: what it means to come home after a long absence. . . . Few books about Africa will find it easier to attract readers far away."
—The Economist

"The Lights of Pointe-Noire is a thoughtful, lyrical meditation on homecoming that artfully explores the paradoxes of a narrator torn between his new life and the roots of his childhood—and a worthy addition to a rewarding body of work."
—New Statesman

"Sparklingly translated, this compact and artful memoir illustrates the universality of the maxim: you really can’t go home again."
—Financial Times

"An unusually generous memoir. The book invites the readers in, allowing us to accompany the writer at every stage of his trip home. Snapshots of the people and places in the book make Pointe-Noire seem close and familiar by the time the memoir ends. Indeed, by the end of the book . . . it is hard to say good-bye."
—Words Without Borders

“A tender, poetic chronicle of an exile’s return.”
—Kirkus Reviews

"This is a beautiful book, the past hauntingly re-entered, the present truthfully faced, and the translation rises gorgeously to the challenge."
—Salman Rushdie

"A dazzling meditation on home-coming and belonging from one of 'Africa’s greatest writers.'"
—The Guardian

"Alain Mabanckou’s joyous, vivid narrative style brings to life a frank, tender memoir."
—The Independent

“His voice is vividly colloquial, mischievous and…outrageous.”
—Marina Warner, Man International Booker Prize Judge

"One of Africa's liveliest and most original voices."
—The Times (London)

"At the end of this journey, the conclusion is clear—the country that lives within him is no longer his own, but Mabanckou remains loyal to his mother's last wish: 'Never forget that hot water was once cold.'"
—Télérama