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The Correspondence of Jean Sibelius and Rosa Newmarch, 1906-1939
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Table of Contents

Chronology
Introduction
The Letters
Appendix

About the Author

PHILIP ROSS BULLOCK is Professor of Russian and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College, Oxford. Previously for Boydell,he has published a translation of the correspondencence between Rosa Newmarch and Jean Sibelius, and in 2016, his biography of Tchaikovsky was published in the Critical Lives series by Reaktion.

Reviews

This correspondence is an exciting book, which is not what one necessarily expects from the scholarly edition of an exchange of letters. . . .
*DIE MUSIKFORSCHUNG*

An engaging and informative read for anyone interested in Sibelius, but also in other facets: the way an artist is established by his supporters, the music scene of early twentieth-century Britain, or the ambivalent inspiration afforded by observing the cultural contribution that women of this era could make. . . . The book is attractively presented, with clear print, a good index, and a substantial bibliography. . . . A compelling and enjoyable read, whose poignant qualities come to the surface as the last few heartfelt greetings are exchanged.
*FONTES ARTIS MUSICAE*

Bullock's meticulously researched edition of this correspondence is a welcome resource and promises to be an essential tool for scholarship concerning English musical life and each of its primary authors.
*NOTES*

[P]rovides an exemplary edition of the Newmarch-Sibelius correspondence.
*MUSICAL TIMES*

Philip Ross Bullock's generous and judiciously chosen notes and commentaries, [give] a broader, more roundly human portrait of the composer than is found in most biographical studies. . . . Newmarch herself emerges as an admirable character -- heroic in her determination to enrich British musical life.
*BBC MUSIC MAGAZINE*

The level of scholarship and perception in [this] book are extremely high, and the introduction [is] well-proportioned, packed full of information and elegantly written. . . . Mention should also be made of the first-rate production values.
*UK SIBELIUS SOCIETY NEWSLETTER*

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