Table of Contents

Introduction; Racial-type Photographs in the Colonial Period; The Degenerate Face: Nineteenth-Century Prison Photographs; The Eugenics Movement Begins: Galton and the Races of Britain; Building a Healthy Nation: Eugenic Images in the United States, 1890-1935; Creating the Master Race: Photography and Racial Selection in Germany; Sub-Human Versus the Master Race: Racial-Type Photographs and Nazi Party Propaganda; Eugenics Under Fire: the Racial-type Imagery of Boas, Du Bois, Huxley and Hadden; Conclusion; Index.

About the Author

Anne Maxwell is a Senior Lecturer in the School of Culture and Communications at the University of Melbourne where she teaches courses on literary criticism and cultural studies. She has published widely in the fields of colonial visual cultures and colonial and postcolonial literature.

Reviews

"This book makes a significant contribution to an underexamined and important topic. Eugenics had an immense (mainly negative) impact on twentieth-century social and political history, and as Anne Maxwell demonstrates this was in large part because of its use of modern visual technologies, particularly photography. This story should not be allowed to disappear from cultural memory and Anne Maxwell's careful and path-breaking scholarship will do much to keep it there." -- Simon During, Johns Hopkins University.