Table of Contents

Part 1 Pre 1850 Collections; Individual works; Periodical reprintings; Reprints in books; Lost works Part 2 1850-2000 Reprints: Collections; Individual works; Substantial excerpts Facsimiles: Collections; Individual works; Microformat collections; e-text on CD Rom; Online texts Part 3 Not by Haywood Doubtful attributions; Mis-attributions; Ghosts Part 4 Printed by Haywood and William Hatchett Printed by Haywood; Hatchett bibliogaphy; Hatchett appendices; Appendices; Opera of Operas from O'Hara onward; Haywood manuscripts; Haywood portraits; Literary references

Reviews

'Along with the new editions of Haywood produced by Alexander Pettit and his collaborators, the Spedding bibliography establishes Pickering and Chatto as the unquestionable leader in Haywood publishing. Indeed, Pettit and Spedding together provide a body of bibliographical and interpretive knowledge that both comprehends and transcends all other Haywood scholarship. Spedding's bibliography ... will never be supplanted by an unstable electronic bibliography.'A- Kevin L Cope, 1650A-1850: Ideas, Aesthetics and Inquiries in the Early Modern Era'An astounding achievement in descriptive bibliography...Spedding's extraordinary and extensive archival research forms the basis of this landmark bibliography and brings clarity to our hitherto murky understanding of the publication history of Eliza Haywood.'A- Citation of the panel for the MLA prize for Distinguished Bibliography (winner 2006)