Table of Contents

Contents
 
            Introduction
            Part I   The Emergence of a Film Producer 1928-1955
1          The Beginning, 1928-1951
2          The Unknown Early Years, 1951-1953
3          The New York ‘Film School’, 1953-1955
Part II  The Harris-Kubrick Pictures Corporation 1955-1962
4          The New UA Team, 1955-1956
5          New Modes of Producing, 1957-1959
6          Swords, Sandals, Sex and Soviets, 1959-1962
Part III Polaris Productions and Hawk Films 1962-1969
7          The Establishment of a Producing Powerhouse, 1962-1964
8          Kubrick versus MGM, 1964-1969
            Part IV The Decline of a Film Producer 1970-1999
9          Kubrick and Warner Bros., 1970-1980
10        The End, 1980-1999
            Epilogue
Appendix I: World Assembly of Youth credits
Appendix II: Filmography    
Acknowledgements
About the Author
Notes
Index

About the Author

JAMES FENWICK is a senior lecturer in media and communication at Sheffield Hallam University in the UK. He is the editor of Understanding Kubrick’s 2001: A Space Odyssey and author of numerous book chapters and journal articles on the life and work of Stanley Kubrick.
 

Reviews

"Author James Fenwick discusses his new book Stanley Kubrick Produces"— William Ramsey Investigates podcast
"Centrally concerned with financing, project development, production logistics, management styles and marketing, this book is a groundbreaking contribution to the ever-expanding literature on Stanley Kubrick, a must-read for scholars and fans. Based on exhaustive archival research, this study skillfully relates Kubrick’s work on his films and on numerous unrealised projects to key developments in the American film business from the 1950s onwards, and tells a compelling story about the meteoric rise and, yes, the fall of one of the twentieth century’s most important filmmakers."
 — Peter Krämer, author of the BFI film classics on 2001: A Space Odyssey and Dr. Strangelove
"Bolstered with a tremendous amount of research in the Stanley Kubrick Archives at the University of the Arts London, Fenwick highlights how dedicated Kubrick was to maintaining control of his work from the very beginning of his career."— Psychobabble
"James Fenwick has combed the archives, including Kubrick’s own as well as others, to fill a missing gap in our knowledge of this legendary filmmaker, namely his role as a producer particularly in those early decades from the 1940s through the 1960s. By locating Kubrick in the economic, industrial and production contexts in which he worked, Fenwick provides an invaluable service to scholars, fans, and critics, adding a dimension to our understanding of his working practices hitherto unachieved. In so doing, Fenwick challenges the image of Kubrick as a controlling producer and future scholarship, including my own, will have to take his findings into account." — Nathan Abrams, author of Stanley Kubrick: New York Jewish Intellectual
"We know about Kubrick the director, but this book digs into his production credits. By utilizing overlooked archives and lots of Kubrick projects including 'The Cop Killer,' 'Shark Safari,' and 'The Perfect Marriage,'  Fenwick serves up a comprehensive account of the legendary director’s life and career from start to finish. "— IndieWire
"The World Assembly of Youth and Archival Serendipity" by James Fenwick
http://iamhist.net/2021/01/world-assembly-youth-archival-serendipity/— IAMHIST Blog