Table of Contents

Preamble to a phenomenology of music, Douglas Bartholomew; Alfred Schutz's phenomenology of music, Christine Skarda; a phenomenological interpretation of the works of Arnold Schoenberg, Antonio Serravezza; temporal structure in recent music, Judy Lochhead; feeling and expressive autonomy in music - a critique, Joan Stambaugh; experiencing a musical composition, Arthur Molycka; harmony and logos - the origin of the musical work of art, Manfred S.Frings; variation in music and thought - a critique of factualism, F.Joseph Smith.