About the Author

Born in 1955, Shahidul Alam is a Dhaka-based photographer and writer. He is the founder of the Drik Picture Library (1989), the Pathshala South Asian Media Institute (1998) and the Chobi Mela International Photography Festival (2000). Alam's books include Nature's Fury (2007), Portraits of Commitment (2009), My Journey as Witness (2011) and Best Years of My Life (2016). He has received many awards, among them the Shilpakala Padak from the President of Bangladesh (2014), the Humanitarian Award from the Lucie Awards (2018), and the ICP Infinity Award (2019). Alam is one of Time Magazine's Persons of the Year 2018.

Reviews

Shahidul Alam is a Photojournalist from Bangladesh. In his journey to uncover and expose the corruption of his government he gave an interview in August 2018 where he testifies to the mishandling of the student protests that had turned violent. Alam was arrested and imprisoner for over 100 days for speaking out against the governments reign of social injustice. While in prison, Alam wrote many letters to Arundhati Roy and inmate Sofia Karim. Stories and Photographs from all three Freedom Fighters serve to turn the tide in Bangladesh and highlight the important fight for Democracy and the future of Bangladesh.--Editors "Musee"

The eminent Bangladeshi photographer Shahidul Alam was jailed for more than three months in 2018 for denouncing the repression of protesters. Released after a mobilization of local and foreign support, he reflects here on his prison experience and a life of fighting for justice (for laborers, survivors of gender violence, Indigenous groups, and others) through image and deed. Some of his finest pictures illustrate the text, as do his selections of noteworthy images by other Bangladeshi photographers. Solidarity and integrity reign, along with tenacious optimism, expressed in a heartfelt exchange of letters with the writer-activist Arundhati Roy.--Siddhartha Mitter "New York Times"

The Tide Will Turn centers on the 100 days the esteemed photographer spent in prison for protesting Bangladesh's religious, nationalist government, but also wisely focuses on the conditions that made his arrest inevitable.--Jonah Goldman Kay "Hyperallergic"