1. Preface (by Ketner, Joe); 2. Introduction (by Parret, Herman); 3. I Peirce on Ethics; 4. Rendering the World more Reasonable: The Practical Significance of Peirce's Normative Science (by Stuhr, John J.); 5. Peirce and Royce on Person: New Directions for Ethical Theory (by Kegley, Jacquelyn Ann K.); 6. C.S. Peirce and Philosophical Ethics (by Krois, John Michael); 7. A Peircean Account of Moral Judgments (by Misak, Cheryl); 8. What Logic Can Learn from Ethics (by Smyth, Richard); 9. Collaboration and Casuistry: A Peircean Pragmatic for the Clinical Setting (by Mahowald, Mary B.); 10. Peircean Triads in the Work of J. Lacan: Desire and the Ethics of the Sign (by Saporiti, Elisabeth); 11. II Peirce's Aesthetics in the Context of Philosophical Thought; 12. The Primacy of the Aesthetic in Peirce, and Classic American Philosophy (by Tejera, Victorino); 13. Art and Interpretation: Peirce and Buchler on Aesthetic Meaning (by Marsoobian, Armen); 14. Peirce and Husserl: Abduction, Apperception and Aesthetics (by Bello, Angela Ales); 15. Peirce, Saussure and Jakobson's Aesthetic Function: Towards a Synthetic View of the Aesthetic Function (by Portis-Winner, Irene); 16. Some Reflections on Peirce's Aesthetics from a Structuralist Point of View (by Calabrese, Omar); 17. III Peirce's Aesthetics in the Context of his Thought; 18. The Place of Peirce's 'Esthetic' in his Thought and in the Tradition of Aesthetics (by Barnouw, Jeffrey); 19. Peircean Fragments on the Aesthetic Experience (by Parret, Herman); 20. Aesthetic Experience in Charles S. Peirce: The Threshold (by Salabert, Pere); 21. The Mediating Role of 'Esthetics' in Charles S. Peirce's Semiotics: Configurations and Space Relations (by Kevelson, Roberta); 22. The Logic, Ethics and Aesthetics of Geometrical Construction (by Garrison, James D.); 23. IV Peirce's Aesthetics and its Applications; 24. Objects, Signs, and Works of Art: A Semiotic Study of Aesthesis (by Brandt, Per Aage); 25. Representation and Intersemiosis (by Larsen, Svend Erik); 26. Peirce and Literary Studies with Special Emphasis on the Theories of the Prague Linguistic Circle (by Winner, Thomas G.); 27. Scientific Fiction and Literary Fiction (by Franc/ur, Marie); 28. 'Origin' in the Peircean Interpretation of a Painting (by Caruana, Francoise); 29. Can Peirce be Applied to Music? (by Tarasti, Eero); 30. A Peircean Perspective on the Growth of Markedness and Musical Meaning (by Coll. Of Arts & Sciences, Univ. of Tennessee at Chattenooga); 31. References; 32. Index of Names; 33. Index of Subjects
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